I guess we’re going to have to deal with this filmed theatre thing

It’s an inevitability, I suppose. When we’re all talking about how to save theatre, how to adapt theatre to the persistent technological climate change that all the kids are gettin’ down with, about how to reach new audiences and turn them on to that old thing we love…it comes up. Invariably.

“We could film it and put it on the internet.”

The crew over at the promising new Verb Theatre blog recently posted about a new British site called “Digital Theatre” (a term already in use in progressive theatre practices, btw), which offers access to high-quality filmed versions of plays  (that have already closed) for about 15 buck a pop, promising: “…multiple camera angles and high-definition technology to bring you closer to the drama and emotion of each production.” There it is. So the question becomes: for theatre, is closer close enough?

I jumped into the comments section pretty readily, I always have a strong emotional reaction to this topic for some reason. It makes me feel a bit fuddy-duddy actually, and perhaps it is some puritanical, romantic notion that I can’t shake. But it would probably be the only regressive opinion I hold on new theatre. I feel – have always felt – that theatre only works when you and your audience share the same physical space, I believe that’s what makes it unique and a thing of wonder, and where theatre’s unique ability to pierce right into the centre of you comes from. And I believe in film as an artistic medium too, it has a beauty and a power and a language all its own that should be respected, what do we really gain from a hybrid of the two? Is it a new art form unto itself? And if it is, where does its power lie?

A caveat: I look at this question – as I always do – from an audience-building perspective. Does this help get the uninitiated into the stalls? Is this solely an insiders endeavor? The theatre nerd in me gets giddy at the prospect of seeing theatre that I otherwise wouldn’t be able to because of geography. I had the honour and delight of watching the performance and production of a great friend I’ve never met face-to-face (because of geography) when his company tried an experiment in live-streaming theatre. I was rapt and over the moon, but I still felt in the end that it was a beggar’s banquet, and that I didn’t get the full impact of the artists and the art form. That I was watching something other than the audience members who got to be in the room. Is that the marketing pitch for it right there? I honestly don’t know.

This is the crux of the thing here, from my rant on Verb:

The big challenge, the really big challenge faced by theatre as an art form right now is that while all the other disciplines are rapidly becoming cheaper and easier to work in, live performance remains untouched by technology. Writers blog and self-publish, musicians can cut CDs on a mac, digital painting is indiscernible from oils. But venue and performer fees remain the same, there’s no download (outside of the tech booth, but that’s a component, not the art) that’s going to help us memorize lines and discover intention and project. I think we should use this one great uniqueness in the wide and wonderful world of art to our advantage and press it as a selling point, instead of offering watered-down versions of our art to the rest of the world.

But is this way off base? Seriously, am I being a fuddy-duddy? Is this the way we’re going to co-opt the internet to move us forward? Or to put it another way:  just because we can, does that mean we should? Thoughts?

Electric Company needs hundreds of extras for Tear the Curtain

Hey Vancouver! Want to be featured in an Electric Company project? Always wanted to work with Kim Collier? Check out this call from the company for a shoot on February 15:

HUNDREDS OF VOLUNTEER EXTRAS WANTED

On Saturday February 13, Electric Company is shooting background/extras scenes at the Stanley Theatre for our new project, a film / theatre hybrid show called TEAR THE CURTAIN! Hundreds of volunteers are wanted to work with director Kim Collier.  This is a rare opportunity for us to share our unique creative process with the wide community.  No experience necessary.

The Arts Club Theatre Company in Association with Electric Company are producing Tear the Curtain! for stage in Fall 2010.  Set in a fictionalized 1930s Vancouver, and shot on location at the historic Stanley Industrial Alliance Stage in South Granville. On February 13, we are shooting crowds of snappily dressed theatre-goers attending the opening of a play.

What we need from you:
Some costumes are on-site, but if you have things in your closet bring them along.  For men we’ll need suit jackets, shirts and ties.  For the ladies we’ll need you in any tops or dresses that feel vintage.  Trench coats, fedoras or other vintage hats, gloves and accessories will be very helpful.  Let’s put it this way: the more 1930s you look, the better chance you’ll have of being featured in close-up!

The day may be long-ish – save 8am-8pm and we will confirm the call.  Bring a book, snacks, and tell friends.  Some food will be available on-site.

Contact us by email with your interest at info@electriccompanytheatre.com or phone 604-253-4222.

Babz Chula Lifeline for Artists site gets a makeover

Rebecca’s got a post up today about the brand new web site launch for Babz Chula’s Artist support site. Bex and some friends gave it a complete overhaul and it looks great, as does Babz, as you can see in her new intro video on the home page.

The divine Ms. Babz is in recovery in India right now for her aggressive cancer, which she is blogging about with typical honesty. Please go take a look and share it with your friends. The woman is a national treasure.

Babz Chula and her husband, Larry Lynn. Photo Credit: Wendy D

Pi Theatre is hiring an interim office manager

Pi’s GM Emma Luna Davis is taking some time off to create a life (our most heartfelt congratulations, by the way!), so the company has an administrative position up for grabs while she’s off doing that…

Reporting directly to the Artistic Director, the Interim Office Manager will work in cooperation with the Artistic Director, Board, interns and volunteers, in the maintenance of the ongoing administrative operations as well as contact management and fundraising for the society.

This is a part time, 15-hour-a-week position, partially covering a maternity leave. The position starts with a three week training period with the General Manager on a part-time basis from March 22-April 9, 2010. Contract dates: April 12, 2010 through September 3, 2010, with the option of extension through March 2010. Office hours are flexible, although some evenings and weekend availability may be required for special events and meetings. Remuneration is commensurate with experience
Application Deadline: January 29, 2009

Please click here to download the complete posting.

As an aside, I wrote recently how taken I was with Pi’s recent co-pro with Rumble Productions, After the Quake, and here’s the postscript:

Masakichi Connelly-Ogden

The most recent addition to our family, name lifted from the play. Just came home today! Photo by Mummy.

TJDawe + BrendanMcLeod (JoannaMarattaAward/CaraYeates) = a brand new theatre blog

Waddya get when you throw a Fringe star, a spoken word rock star and an award-winning theatre actor into a bag and shake? I have no idea, but this here new blog of theirs might provide a few answers.

Cara won the ’09 Joanna Maratta Fringe Award for the artist who “best exhibits the original founding spirit of the Vancouver Fringe Festival and shows the most potential to contribute to the Vancouver theatre community”. So there. The prize consists of a mentorship with TJ, who pretty much totemically embodies the spirit of independent theatre here on the West Coast. They have decided to use their time to prepare Brendan’s first ever play, which I for one am eagerly awaiting, as he’s a true local wordsmith. In addition to being a Vancouver Slam Poetry Champion and placing 2nd in the World’s, he’s a past winner of the illustrious 3-Day Novel Writing Competition. Oh, and he’s a member of The Fugitives. So yeah, I guess theatre’s what’s next.

TJ’s just put up his first post on the new blog, asking for opinions on the play’s title. Check it out here if you’d like to help them out…

And break legs all. We’ll be eagerly awaiting whatever comes out the other side.

For fun, this was my first taste of The Fugitives, back in 2007. A buddy had seen them do a mini-show before a movie at 5th Avenue Cinemas and raved about them: